SODOM's Bassist Tom Angelripper on the High Cost of Touring: A Tough Choice for Aging Rockers
The iconic thrash metal band SODOM is facing a challenging reality. In a recent interview, bassist and vocalist Tom Angelripper revealed his dilemma: balancing his passion for music with the demands of aging and family life. But here's where it gets controversial—the financial strain of touring, especially in the U.S., is a significant factor in his decision to take a step back.
Tom, a veteran of the metal scene, has two grown-up children and is now prioritizing spending time with them and pursuing other interests. He's not alone in this sentiment; many musicians are re-evaluating their priorities as they age. Tom said, "I'm gonna do re-releases, write new lyrics, and explore new ideas. The only thing I'm stopping is touring." But is it really that simple?
The band's latest album, "The Arsonist," hasn't been promoted through live performances, which Tom admits is a shame. However, he's embracing the freedom to enjoy his hobbies, like hunting, and the peace of mind that comes with it. But is this a luxury that every musician can afford?
The U.S. tour dilemma: Obtaining a U.S. artist visa is a complex and costly process, which has led many international musicians to cancel their U.S. tours. Tom recalls the challenges, saying, "It's a lot of paperwork, and it's hard to get a visa for just a few shows." The financial burden is significant, with each person in the band and crew requiring $2,000 for working papers. This raises the question: is the U.S. making it too difficult for international artists to perform there?
Tom compares his situation to SLAYER's Tom Araya, who also wanted to spend more time with his family. But the comparison is not entirely accurate, as SLAYER continues to perform occasionally. Tom, on the other hand, doesn't want to commit to any future shows, stating, "I can't tell my band we'll do just five shows a year." This leaves fans wondering if they'll ever see SODOM live again.
The pressure of touring: Tom reflects on the hectic tour schedules and the constant pressure of being on the road. He enjoys the freedom of spending time with his family and pursuing his hobbies without the stress of touring. But is this a sustainable choice for a musician's career?
SODOM is still in demand, with numerous booking requests from promoters worldwide. Tom acknowledges this but remains firm in his decision to take a break. He values his freedom and wants to make the most of his time, even if it means less time on stage. He says, "I love my fans, but I also love myself, my family, and my friends. Now it's time to focus on other things." This decision highlights the complex choices musicians face as they navigate their personal and professional lives.
The future of SODOM: Tom leaves the door open for a potential return, but without a concrete plan. He doesn't want to commit to a timeline, saying, "I don't wanna put myself under pressure." This uncertainty leaves fans and the music industry wondering when, or if, SODOM will grace the stage again. Is this a temporary hiatus or a permanent farewell?
What do you think? Is Tom Angelripper making the right choice? Should musicians prioritize their personal lives over their careers, even if it means less live performances? Share your thoughts in the comments below, and let's discuss the challenges aging musicians face in today's music industry.
